This is also true on the planes of energy and force (which are but varying degrees of vibration); and also on the mental planes (whose states depend upon vibrations); and even on to the spiritual planes.
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We see around us that which is called "Matter," which forms the physical foundation for all forms.
"--The Kybalion.
The two are similar in kind, but infinitely different in degree.
"--The Kybalion.
The Principle of Polarity explains these paradoxes, and no other Principle can supersede it.
Have the Venus of Medici, the Sistine Madonna, the Apollo Belvidere, spirits and reality of their own, or do they represent the spiritual and mental power of their creators?
The latter merely teaches that the nature of the Universe is "Mental," while modern science has taught that it is "Material"; or (of late) that it is "Energy" at the last analysis.
" In this little work we have endeavored to give you an idea of the fundamental teachings of The Kybalion, striving to give you the working Principles, leaving you to apply therm yourselves, rather than attempting to work out the teaching in detail.
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He had tried luxury and had renounced its poisons.
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But let us examine the matter.
Is it any wonder that, when you consider the works and wonders of Nature, you are overcome with a mighty feeling which has its roots away down in your inmost being?
It is the Law, from which the Laws proceed, and it is not subject to them.
The legends of the "Philosopher's Stone" which would turn base metal into Gold, was an allegory relating to Hermetic Philosophy, readily understood by all students of true Hermeticism.
Well, then, secondly, Man pro-creates or reproduces his kind by the process of begetting, which is self-multiplication accomplished by transferring a portion of his substance to his offspring.
Transmutation, Alchemy, or Chemistry on the Mental Plane is important enough in its effects, to be sure, and if the art stopped there it would still be one of the most important branches of study known to man.
To take a modern example, let us say that Othello, Iago, Hamlet, Lear, Richard III, existed merely in the mind of Shakespeare, at the time of their conception or creation.
" Somewhat paradoxical, is it not?
And where the Great Hermes hesitated to speak, what mortal may dare to teach?